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Barbra Streisand and Larry Kramer trade blame for failed 'Normal Heart' film -- EXCLUSIVE
Image Credit: Gilbert Carrasquillo/FilmMagic.com; Andrew H. Walk
Film legend Barbra Streisand and gay activist Larry Kramer would both
like to set the record straight about their failed attempt to bring The Normal Heart — Kramer’s
1985 play about the dawn of the AIDS epidemic — to the big screen. The
problem is, each of them says it’s the other’s fault. In an exclusive
interview with EW, Streisand calls Kramer “brilliant, courageous,
stubborn, and self-destructive.” The writer’s response? “She never put
her money where her mouth is.”
“I love this play, and I love its cause,” says Streisand, who first purchased the film rights to The Normal Heart after seeing its original Off Broadway incarnation in 1985. (A Tony-nominated revival is currently running at Broadway’s John Golden Theatre.) Over the next
ten years, she worked with Kramer and another screenwriter to adapt the
story, which focuses on the struggles of writer Ned Weeks (Kramer’s
literary alter ego) during the early days of the AIDS crisis in NYC.
Streisand intended to direct the film and take the part of strong-willed
Dr. Emma Brookner, a supporting role in the play.
But a movie never materialized. According to Streisand, Kramer was
unwilling to allow adjustments that were necessary to make the script
more cinematic. “I was using the best of [the play]. But there are
certain things you do for film,” she tells EW. “Larry only wanted to use
his screenplay. I couldn’t have my hands tied artistically.”
Kramer has another version of the story. He says Streisand rewrote
the script to make her character the star, marginalizing the gay
characters who are at the center of the play. “She cut Ned’s part so
much that when she offered the movie to a major star who had played the
part on stage, he said, ‘I can’t play this. The character has no
motivation anymore,’” claims Kramer. “She subsumed all of the
motivations into her part, as the doctor.” (A rep for Streisand did not
immediately reply to request for comment on Kramer’s remarks.)
Streisand also says Kramer rejected a deal from HBO to turn the play
into a TV project after major studios balked at its subject matter.
“Larry wouldn’t accept their highest offer of $250,000. He wanted a
million dollars,” says Streisand. “Larry held out for the money. I
didn’t. Why not advance your cause? Why keep this movie unseen for all
these years?” Kramer claims he never heard about such an offer and says
Streisand repeatedly abandoned the project to work on other movies.
Even after the rights to the play reverted back to Kramer in the
mid-nineties, Streisand says she never stopped supporting the project.
Then, last year, Kramer posted a missive on the website of
AIDS-awareness organization ACT UP, calling Streisand a “hypocrite” for failing to make The Normal Heart.
“When he printed that diatribe on the web, I was very hurt by it,
because it’s not true. I started to write [a response] but then decided
not to do it,” says Streisand. “It was wonderful to read some of the
comments from the gay community about this. They fought the battle for
me. It was really lovely for all these people to come to my defense.”
Streisand says she was most upset by Kramer’s accusation that she had
sabotaged the fight for gay rights. “At a time when we are all pulling
together to achieve such giant steps for gay equality, it is anguishing
to me to have my devotion to this cause so distorted. I think my efforts
for the gay community and my immersion in securing its constitutional
entitlement and other equitable rights is quite evident and a matter of
record.”
On that point, at least, the two agree. “She’s a mighty force, and I
certainly agree she has done a good deal for the gay world,” says
Kramer. “She just wasn’t going to make this movie right.”
But there’s still hope for fans who dreamed of seeing Streisand in a movie version of The Normal Heart. The Oscar winner says she would consider playing Brookner in Glee adaptation starring Mark Ruffalo,
although it would be difficult for her to let go of her creative vision
for the movie. “If I could direct it today, I would direct it today,”
Streisand says. “Because it’s been very hard for me to find a piece that
I feel as passionate about. I mean, I love this play.” creator Ryan Murphy’s planned
