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Life & Events > Losing the Past
 

Losing the Past

New Yorkers Trying to Save Historic Tin Pan Alley - NYTimes.com















@import url(https://graphics8.nytimes.com/css/article/screen/print.css);







New Yorkers Trying to Save Historic Tin Pan Alley




Filed at 3:41 a.m. ET
NEW YORK (AP) -- A group of New Yorkers is fighting to save Tin Pan Alley,
the half-dozen row houses where iconic American songs were born.
The four-story, 19th-century buildings on Manhattan's West 28th Street were
home to publishers of some of the catchiest American tunes and lyrics -- from
''God Bless America'' and ''Take Me Out To The Ballgame'' to ''Give My Regards
to Broadway.''
The music of Irving
Berlin
, Scott Joplin, Fats Waller, George M. Cohan and other greats was born
on Tin Pan Alley.
The buildings were put up for sale earlier this fall for $44 million, with
plans to replace them with a high-rise. The construction plan fell through amid
the turmoil in the economy, but the possibility of losing the historic block
hastened efforts to push for landmark status for Tin Pan Alley.
''The fear of these buildings being sold for development crystallized their
importance, and the need to preserve them,'' said Simeon Bankoff, executive
director of the Historic Districts Council, a nonprofit preservation
organization aiming to secure city landmark status for the buildings, which
would protect them from being destroyed.
The Landmarks Commission is ''researching the history of the buildings and
reviewing whether they'd be eligible for landmark designation,'' said Lisi de
Bourbon, a spokeswoman for New York's Landmarks Preservation Commission.
No date has been set for a decision, which she said depends on ''a
combination of historical, cultural and architectural significance.''
The block is sacred to Tim Schreier, a great-great-grandson of Jerome H.
Remick, whose music publishing company occupied one of the houses and employed a
young sheet music peddler named George
Gershwin
.
''I'm not opposed to development in New York, but we have to balance
development with history -- and this is definitely American cultural history,''
said Schreier.
From the late 1880s to the mid-1950s, the careers of songwriters who are
still popular today were launched from the buildings at 45, 47, 49, 51, 53 and
55 West 28th.
Nearby, high-rise condominiums have pushed out old brownstones. The
four-story Tin Pan Alley buildings house street-level wholesale stores selling
clothing, jewelry and fabrics; eight apartment units fill the upper floors.
It's a noisy neighborhood, with trucks beeping as they back up amid street
hawkers selling bootleg movies and knockoff perfumes. A century ago, the windows
of music companies broadcast a cacophony of competing piano sounds that earned
the area the nickname Tin Pan Alley, to describe what one journalist said
sounded like pounding on tin pans.
Leland Bobbe, a 59-year-old photographer, has been renting his apartment at
Remick's old building since 1975. He says it's important to salvage the
buildings in a neighborhood ''that has lost its uniqueness. It's just another
symbol of what New York was and what it will no longer
be.''

posted on Nov 9, 2008 7:30 AM ()

Comments:

I watched something on TV about this awhile back...they were showing clips and pictures from the "good old days". It was in a documentary form with different people being featured and offering comments. It was interesting to watch, nostalgic fun to see again, but sad at the same time because it discussed the same thing that you posted here. I remember visiting Tin Pan Alley, finding the greatest little store tucked in there that sold nothing but theater-related memorabilia and souvenirs. Darn, now that I think of it, that's where I bought a key ring that was made with a laminated ticket from A Chorus Line! (I gave it to a friend for a gift.)
comment by donnamarie on Nov 9, 2008 4:24 PM ()
Thanks for the post.
comment by fredo on Nov 9, 2008 8:54 AM ()

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